The silence on the other end of the line was the sound of history holding its breath.
"I'm saying nothing. The order came from above. Berlin. The case is closed. But if you want a story, look up something called Aktion Herbstnebel . Operation Autumn Mist. It was a file name in Krauss’s study. The only thing the 'suicide' didn't destroy." The next day, Karl took the train to Hamburg. The Krauss villa was a mausoleum of mahogany and silence. Elfriede met him at the door, her hand trembling as she lit one cigarette from the butt of another. She led him to the study. The blood had been cleaned, but the rug was gone. On the desk, untouched, was a single manila folder labeled in Krauss’s spidery hand: 1972 – Provocation . provocation 1972
Karl knew Heinrich Krauss. Everyone in West German journalism did. Krauss was a relic, a once-great war correspondent who had spent the last twenty years as a cultural critic, writing bitter, elegant essays about the death of German soul. He was also a known provocateur—not the student kind with Molotov cocktails, but the old-school kind who wrote screeds against the Baader-Meinhof gang one week and against the police state the next. He was a man who made everyone angry. The silence on the other end of the
"Herr Vogel," the young man said, placing a blank cassette tape on the table. "This is a recording of your daughter’s voice. She is twenty-two. She studies in Freiburg. She has a boyfriend named Lukas. She rides a blue bicycle. You understand?" Berlin