Prism – Katy Perry’s Bridge Between Pop Spectacle and Personal Growth

Not every experiment lands. This Is How We Do tries to recapture the carefree spirit of California Gurls but feels forced and dated. A few tracks ( Birthday , International Smile ) are perfectly fine pop confections, but they lack the irresistible hooks that made Teenage Dream so formidable. At 16 tracks (deluxe edition), Prism slightly overstays its welcome—trimming a couple of songs would have sharpened its focus.

Dr. Luke, Max Martin, and a team of hitmakers keep the production glossy and radio-ready. But there’s more sonic variety here than on previous albums: from the moody synth-pop of Walking on Air to the acoustic-leaning Unconditionally . It’s a cleaner, more mature sound—less bubblegum, more neon-gold.

★★★★☆ (or adjust as desired)

Roar , Dark Horse , Ghost , Legendary Lovers Skip: This Is How We Do

Prism isn’t the dark, confessional turn some fans anticipated, but it’s also not Teenage Dream 2.0 . It’s Katy Perry at a crossroads—partying a little, reflecting a lot, and ultimately proving she can survive heartbreak without losing her sparkle. For fans of upbeat pop with a side of self-help, Prism remains one of her most balanced and rewarding albums.

The album opens with a one-two punch of empowerment anthems. Roar , despite becoming an inescapable sports-team staple, works exactly as intended—a resilient, fist-pumping comeback track. Then comes Legendary Lovers , a percussion-driven, exotic-sounding gem that finds Perry in full storytelling mode. The real heart of Prism , though, lies in its darker, more introspective middle. Dark Horse (featuring Juicy J) merges trap beats with Egyptian-inspired synths—a risky blend that paid off massively. Ghost and By the Grace of God offer raw glimpses into Perry’s reported struggles with depression after her split from Russell Brand, adding emotional weight rarely found in her earlier work.