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Ah Long looks at the broken fan in his hand. Then at the warehouse: hanging hooks, a pile of bamboo scaffolding poles, a cart of live eels, and twenty armed thugs.
As the credits roll—listing “Fight Choreographer: Ah Long” for the first time—Uncle Li leans over. “So, kid. What’s next?” jackie chan 1st movie
The audience—a dozen old men, three bored teens, and Uncle Li—watches the final fight. But instead of the original cheesy choreography, the film shows grainy, shaky-cam footage of the real warehouse battle. Ah Long, bruised, bleeding, using an eel as a whip. Ah Long looks at the broken fan in his hand
Finally, cornered by The Viper, Ah Long has nothing left but the broken fan. The Viper laughs. “You’re not a hero. You’re just a stuntman.” “So, kid
The Viper, watching from the shadows, is intrigued. He doesn’t kill Ah Long. Instead, he laughs and tells Mr. Ko: “Keep the kid. He’s good for cover. But the last scene? He doesn’t walk away.”
One year later. A tiny, run-down cinema in Mong Kok. The Crimson Blade is finally finished—with real footage shot before the chaos, and new scenes added by a grateful (and terrified) Mr. Ko, who now works as Ah Long’s assistant.
He smiles nervously. “Cut,” he whispers. “We’re doing a retake.”