Audinate Virtual Sound Card !free! May 2026
| Feature | Dante Virtual Soundcard | Ravenna/AES67 Virtual Audio | NDI | Physical Dante PCIe Card | | :--- | :--- | :--- | :--- | :--- | | | $49.99 USD | Free (but complex) | Free | $500+ | | Channel Count | 64x64 | Varies | Up to 16 (audio only) | 128x128+ | | Latency (Lowest) | 4ms (usually 6-10ms usable) | 1ms possible | 16ms (audio typical) | Sub 1ms | | CPU Usage | Moderate | Moderate | Low (video codec heavy) | Zero | | Reliability | Good (wired only) | Excellent | Fair | Excellent |
In this post, we’re going to dive deep into what DVS is, how it works, the latency math, use cases, and the critical limitations you need to know before installing it. audinate virtual sound card
Audinate Virtual Soundcard is available for download from the Audinate website. A 30-day fully functional trial is available. | Feature | Dante Virtual Soundcard | Ravenna/AES67
For decades, professional audio was tethered to physical limitations. If you wanted to get audio in and out of a computer using a networked audio protocol like Dante, you needed a piece of hardware—a Brooklyn module, an expansion card, or a dedicated USB interface. That meant higher costs, supply chain delays, and physical ports dictating your workflow. For decades, professional audio was tethered to physical
This is the most common use case. You have a Dante-enabled mixing console at Front of House (e.g., a Digico or Allen & Heath). Instead of running 32 analog XLR cables from a laptop playing backing tracks and click, you run one Cat6 cable. Install DVS on the playback laptop, route the 32 tracks directly to the console’s input channels. No ground loops. No massive multi-core snakes.
Under the hood, DVS converts your computer’s standard network interface card (NIC)—whether built-in Ethernet or a high-performance Thunderbolt adapter—into a Dante endpoint. It captures the audio from your application, packetizes it using the Dante protocol, and sends it across a standard IP network to any other Dante device (Yamaha console, Shure wireless mics, QSC amplifiers, or another computer running DVS).
For live in-ear monitoring, always use physical Dante hardware (like a RedNet PCIe card or a Dante Brooklyn module). For everything else, DVS is excellent.